FAITHFULCRUM
Season 2, Episode 14
HUMANIZE SOMETHING
This episode begins with a simple observation and ends somewhere much stranger.
Scott and Mark start in familiar territory—Rush concerts, facial hair, old songs echoing through the hills—but gradually find themselves circling a question that has become impossible to ignore:
What makes something feel human?
Along the way they encounter a young singer whose voice seems almost impossibly pure, discuss the unsettling perfection of machine-generated art, wander through Brian Eno's Oblique Strategies, visit the vast silence that may exist beneath all creativity, and ultimately arrive at a challenge:
Humanize something free from error.
The conversation suggests that art does not move us because it is perfect. It moves us because it bears fingerprints. Because it carries scars. Because somewhere inside the beauty there is friction, uncertainty, grief, humor, dirt, or longing.
The songs that accompany this episode are not summaries of the discussion. They are artifacts pulled from it—five rough-edged transmissions extracted from different moments in the conversation. Together they form a loose song cycle about death, perfection, silence, imperfection, and the strange work of making meaning.
GREEN GRASS OVER MY FEET
A ghost song from beneath the soil.
Inspired by an old mountain lament discussed early in the episode, this song inhabits the voice of someone buried beneath memory and weather. The dead narrator discovers that the earth remembers what people forget. It is a meditation on mortality, roots, inheritance, and the persistence of love long after language has disappeared.
THE ANGEL BUILDING LEGOS
A song about impossible purity.
Drawn from the story of a young singer assembling Legos while delivering a breathtakingly perfect performance, this piece explores the uncanny edge where beauty becomes unsettling. It asks whether perfection itself can become alien, and whether brokenness might be necessary for genuine connection.
THE IMMENSE SILENCE
A creation myth for artists.
Inspired by Scott's story of a blues musician who believes meaning already exists within the void, this song imagines all art as fragments carved from an infinite silence. Every poem, every melody, every story becomes a small theft from a reality far larger than we can understand.
HUMANIZE SOMETHING FREE FROM ERROR
The episode's central manifesto.
Taking its title from a Brian Eno Oblique Strategies card, this song argues that flaws are not defects but signatures. Perfection is polished stone. Humanity is the crack running through it. The song celebrates scratches, dents, failures, and all the evidence that a living hand touched the work.
MAKE YOUR EARS STAND UP
A hymn to artistic troublemaking.
Inspired by Charles Ives and his desire to create music that makes listeners ask, "What the hell was that?", this closing piece rejects comfort in favor of surprise. It is a defense of rough edges, wrong notes, and creative risks that refuse to let the audience remain asleep.
Taken together, these songs trace a path from burial to awakening.
From grass.
To angels.
To silence.
To fingerprints.
To fire.
Welcome to Faithfulcrum. Go humanize something.

Mark and Scott have been in conversation for fifty years. Born twenty-six days apart into the same complicated religious tradition, they grew up fluent in scripture and shape note singing —steeped in a culture of certainty and devotion.
Scott is a poet, author, educator, songwriter, and community creator. Mark, an educator, performer, provocateur. Together, they bring a shared curiosity to every encounter.








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